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She will be missed.” Chuck D, Snoop Dogg, DJ Khaled, and more, also took to social media to pay their respects. “She was always so loving and giving to younger artists. “I loved being around Ms Betty Wright,” John Legend wrote on Twitter. She mixes R&B, soul, house, UK garage, amapiano and more to craft this. This album is constantly moving from one sound and genre to the next. The 10-track project includes vocal features from the likes of Sio, MOONGA K., Brad Knight, Jordan Baker and AliThatDude. Wright spent much of her later life as a producer and mentor to younger artists. Johannesburg-based Namibian Gina Jeanz has released her debut album Lucid Theory. In 2016, she was featured on DJ Khaled, Kendrick Lamar, and Big Sean’s ‘Big Key’.
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In 2011, she collaborated with The Roots for her final studio album, Betty Wright: The Movie. Unafraid to jump between genres, she also frequently made appearances on records by hip-hop artists, including Diddy, Nas, Rick Ross, Lil Wayne, and the Game. Wright also had a prominent career as a backing vocalist, singing for the likes of Stevie Wonder (who also produced her 1981 single ‘What Are You Going to Do With It’), David Byrne, Peter Tosh, Gloria Estefan, Jimmy Cliff, Stephen Stills, Alice Cooper, Jennifer Lopez, and many others. She continued recording singles and albums throughout the 1980s and 1990s. In 1976, Wright was awarded her first and only Grammy for Best R&B Song for her second biggest single, ‘Where is the Love?’. Blige (‘Real Woman’) and Chance the Rapper (‘Favorite Song’). The track was later sampled by the likes of Mary J. ‘Clean Up Woman’, written by Clarence Reid and Willie Clarke, came three years later, reaching No 6 in the US charts.
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She released her first album at the age of 15 in 1968, with the single ‘Girls Can’t Do What the Guys Do’ becoming her first Top 40 hit. Wright was born Bessie Regina Norris in 1953 in Miami, the youngest of seven children, and started singing in her family’s gospel group the Echoes of Joy. Steve Greenberg of S-Curve Records later told the New York Times Wright had been diagnosed with cancer in the fall of 2019.
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While the cause of death was not immediately disclosed, the news was confirmed by Wright’s niece, who wrote on Twitter: “Sleep in peace aunty Betty Wright. It bleeds so profusely it hurts.Betty Wright, the iconic R&B and soul singer known for hits such as ‘Clean Up Woman’ and ‘Where Is the Love?’, has died at the age of 66, TMZ reports. Vengo is a stunning piece of performance art, an ode to the seguiriya (the song of mourning). A blade pierces the stomach of a man who lies dead among scattered, noisy car parts which signal his celebratory transcendence into the realm of the dead. Technology, from cars to cellphones, plays as important a symbiotic relationship to Andalucian lore as does the pulse of tapping feet and the gyrating of the body. For Gatlif, a christening signifies the birth of godliness and a suicidal chivalry comes to represent the ultimate act of unspoken familial loyalty. Spanish divas wearing long, lacy garbs twirl to the wails of a gypsy elder you might weep for the film’s plucking of the soul’s strings. Mario runs up the hill to his home, his footsteps the equivalent of a drum stick hitting the earth’s surface. Vengo’s soundscape is such a labyrinthine work of beauty that every drum pound and cricket chirp ebbs complimentary to the spare narrative. Promises of vengeance are painted on the garden’s exterior walls by members of the Caravaca clan (Mario stands accused of killing one of their men) Caco’s mamacita and her sisters whitewash the threats away with a magical realist drop of a mamoncillo fruit. Ever since Caco’s brother Mario fled from home, his garden has lost its soul. Gatlif’s Andalucia is the colorful backdrop for gypsy angst sleek black cars hover majestically before churches whose overexposed white exteriors hint at a slippery spirituality that pulsates in a people who exorcise pain through dance. Not since Carlos Saura’s Carmen has a director so successfully meshed heart-piercing cultural noise with the melodrama of a people in constant emotional flux. Tony Gatlif’s Vengo whets the soul with its gypsy moans and lucid imagery, a vision so pure you can almost feel the flamenco beats working their way through your blood.